On March 24, 2020, I published my first piece for Aeon Magazine. I am genuinely happy about how this piece turned out. It might be my best piece of writing so far, if I may so myself. A big thank you to Pamela Weintraub, the editor who I worked with for helping me unlock it.
To See the Antisemitism of Medieval Bestiaries, Look for the Owl.
The owl watches you from the raised seat on the medieval misericord in Norwich Cathedral in the east of England. Surrounding the owl are birds with feathers like the scales of a pangolin. The birds are focused on the owl. The owl pays them no mind.
The motif of this scene would have been familiar to the woodcarver who made it and to the abbey monks who leaned against it during the long hours of Mass. But the associations the people of the Middle Ages made when they saw the scene on the misericord seat were different from how we would interpret it today.
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In the words of my friend, the Australian, I shall return.
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