Wesley Chu’s THE LIVES OF TAO and the Spanish Inquisition

Wesley Chu’s novel The Lives of Tao is the first part of a trilogy that tells the story of the Quasing, an alien race who crashed on Earth and who need to live inside a host to survive. By merging science fiction with alternate history, Chu takes us through the history of the Quasing on Earth, explaining how the alien species split into factions—the Genjix and the Prophus. When Chu introduces us to the Quasing in the twenty-first century, these factions are at war with one another.

Tao of the novel’s title is the Quasing Tao of the Prophus faction, who merges with slacker Roen Tan when Tao’s previous host Edward is killed in a confrontation with the Genjix. In an effort to get to know the alien who now resides within him, Roen asks Tao to tell him about his previous hosts, which enables Chu to roll out an alternate history of the world of epic proportions.

This alternate take on history is interesting for several reasons, e.g., it is revealed that every major event in Western European history has been caused by the Quasing, such as the Mongol invasion under Genghis Khan (1162–1227), the Black Death (1347–1350), the Thirty Years’ War (1618–1648), and even World Wars I (1914–1918) and II (1939–1945).

The one part of Tao’s life story that I found particularly troubling, and therefore would like to discuss here, is the Spanish Inquisition. According to Tao, he and his friend Chyiva felt disillusioned regarding the Quasing’s approach to humans. Together, Tao and Chyiva decided to work for this approach to change. Soon, they attracted a following among other Quasing. The backlash against these betrayers was the Spanish Inquisition. According to Tao, the Spanish Inquisition came about in the following way.

The Council did not tolerate our dissension, and in retaliation called for a cleansing. The Spanish Inquisition spread across Europe, a cover for the Council to rid itself of the hosts of renegade Quasing. They called us Prophus, betrayers. They referred to themselves as Genjix, the old order. (Wesley Chu, The Lives of Tao, p. 274)

There are several problems with Tao’s relation of events. First, let’s take a closer look at what the Spanish Inquisition really was.

Within the Catholic Church of medieval Europe there was a need to stamp out what was considered heresy and instead enforce Church doctrine upon the population. The judicial process through which this was achieved was called an inquisition, from the Latin verb inquiro. In other words, the Spanish Inquisition was preceded by several other inquisitions,  arguably the most famous ones being the inquisition that eventually led to the destruction of the Knights Templar, as well as the persecution of the Cathars in southern France, both taking place during the thirteenth century.

The Spanish Inquisition was established through the issuing of a Papal bull in 1478 by request of Spanish king and queen Ferdinand and Isabella. The Spanish Inquisition was different from previous inquisitions in that it was the most organized. It has been argued that unlike other inquisitions, the Spanish Inquisition took the step from being a judicial process to being a judicial institution.

The Spanish Inquisition according to Monty Python

The Spanish Inquisition according to Monty Python.

Another reason why the Spanish Inquisition was different is because unlike previous inquisitions, the Spanish Inquisition did not target fellow Christians who failed to follow Church doctrine. No, the Spanish Inquisition was created to target Jews, in particular so-called conversos, i.e., Jews who had been forced to convert to Christianity to avoid persecution.

The purpose of the forced conversion of Spanish Jews was to eradicate them as the political and religious threat they were considered to be towards Ferdinand and Isabella. The only problem was that once enough Jews had succumbed under pressure and converted, the conversos were deemed an even greater threat. Indeed, they were suspected of continuing to practice Judaism in secrecy. Enter the Inquisition and its infamous methods to extract confessions and conversions through the use of torture.

The most famous of the Grand Inquisitors of the Spanish Inquisition is Tómas de Torquemada (1420–1498), who is believed to have been personally responsible for the torture and execution of at least 2,000 Spanish Jews. In the history of European Jewry, the Spanish Inquisition and the actions of Torquemada, which culminated in the expulsion of all Jews from Spain in 1492, is a wound that has never healed.


The Spanish Inquisition according to Mel Brooks.

Moreover, Spain itself is grappling to come to terms with the atrocities committed against the Jewish population of Spain by the Inquisition. On June 11, 2015, a new law was passed granting citizenship to more than 4,000 descendants of the Jews who were expelled in 1492.

With this knowledge of the Spanish Inquisition in mind, Chu’s decision to include the Spanish Inquisition in the war between the Prophus and the Genjix becomes most unfortunate. This sentence is particularly problematic.

The Spanish Inquisition spread across Europe, a cover for the Council to rid itself of the hosts of renegade Quasing. (ibid.)

In other words, according to Chu’s alternate history, the Spanish Inquisition was a cover-up for an internal conflict within an alien species, not a systematic persecution of Spanish Jews that cost over 2,000 people their lives and an estimated 160,000 people their homes. Or perhaps we are to believe that the Jewish victims were mere collateral damage that need not be mentioned?

Overall, The Lives of Tao is a highly entertaining read and I do recommend that you read it. As an historian, I support all inclusion of history in fiction, be it in the form of historical fiction, alternate history, or speculative history. However, as I have stated several times before here on The Boomerang, it is of utmost importance that an author is aware of the many complicating aspects of the historical process he or she decides to include in their story.

Wesley Chu, The Lives of Tao (Angry Robot, 2013)
Britannica Online, “Inquisition.”
Britannica Online, “Spanish Inquisition.”
Britannica Online, “Tómas de Torquemada.”

In the words of my friend, the Australian, I shall return.



Fresh Off the Boat Put in Context. Asian American Representation on American Network Television, 1965–2015


[This post was edited on March 1, 2015.]

As the first TV show with an Asian American main cast in over two decades, much is at stake for ABC’s sitcom Fresh Off the Boat. So much so that before the pilot had even aired, the show was described as “historic.” The reason for this description is the fact that because of the lack of Asian American characters, regardless of being in leading or supporting roles, the success of Fresh Off the Boat will potentially determine Asian American network representation for years to come.

As an historian I take an interest in the description of Fresh Off the Boat as “historic.” Whenever something is described as “historic,” my initial reaction is to object to the use of that word. Looking to the past to make predictions about the future goes against everything that historical research is about. The only way we can say anything about the significance of an event is by relating the event in question to other similar events that have already taken place. In other words, the way to determine the significance of Fresh Off the Boat from an historical perspective is to contextualize it within a discussion on how minorities in general, and Asian Americans in particular, have been represented on scripted network television shows over the years.

In the following discussion, I will focus on scripted TV shows with a diverse main cast broadcast by the three major networks of American television, i.e. NBC, CBS, and ABC. There are two reasons for this. Firstly, these three networks are the oldest of all the TV networks available to the American public today. Therefore, they provide a time span long enough for performing an historical analysis. Secondly, these three networks reach the most viewers on a daily basis. With the exception of AMC’s The Walking Dead, the most watched shows on American television are broadcast on these three networks.

Some of the TV shows mentioned below are problematic in how they portray the minorities they set out to represent. My discussing these TV shows does not mean I endorse these portrayals in any way.

NBC was founded in 1926 as a radio network. In 1939, NBC expanded into television. On February 18, 2015 I completed a survey of the shows stated as current on nbc.com. Of these shows, one had a diverse main cast—Saturday Night Live. In the past, NBC has been the home of several iconic diversely cast TV shows, e.g. I Spy (1965–1968), Star Trek (1966–1969), Sanford and Son (1972–1977), Diff’rent Strokes (1978–1986), The Cosby Show (1984–1992), A Different World (1987–1993), The Fresh Prince of Bel Air (1990–1996), and Community (2009–2014). Several of these shows had an African American main cast. As far as I have been able to determine within the scope of this investigation, NBC has never broadcast a TV show with an Asian American main cast.

In 1927, CBS began as a radio network and branched off into television in 1941. In the survey I did on February 18, 2015, of the current shows listed on cbs.com, I identified twelve shows with a diverse main cast. However, of these twelve shows only three had a person of color as the lead actor. Two of them were African American (Halle Berry in Extant and LL Cool J in NCIS: Los Angeles) and one of them was Asian American (Lucy Liu in Elementary). For the past few decades, CBS has been the home of several TV shows with a diverse main cast, e.g. Hawaii 5-0 (1968–1980), Good Times (1974–1979), The Jeffersons (1975–85), and Martial Law (1998–2000). Good Times and The Jeffersons had an all African American main cast and Martial Law had an Asian American leading actor. Meanwhile, Hawaii 5-0, both in its original and its rebooted (2010– ) form, stars a diverse main cast that include Asian Americans.

Youngest of the three major networks, ABC launched as a radio network in 1943 and went into television in 1948. In the February 18, 2015 survey of abc.com, I identified thirteen shows listed as current and with a diverse cast. Of these thirteen, nine had one or more persons of color as lead actors (Blackish, Cristela, Fresh Off the Boat, Galavant, How to Get Away with Murder, Agents of SHIELD, Modern Family, Scandal, and Selfie). Moreover, three of these nine shows had a main cast consisting only of persons of color (Blackish, Cristela, Fresh Off the Boat). Over the years, ABC has had several TV shows with a diverse cast. Unlike NBC and CBS, these shows have predominantly been cast with Asian American actors, e.g. The Green Hornet (1966–1967), Barney Miller (1974–1982), Mr T. & Tina (1976), Gung Ho (1986–1987), All-American Girl (1994–1995), and Lost (2004–2010).


Three conclusions can be drawn from the survey done on NBC, CBS, and ABC. First of all, NBC seems to have relinquished its role entirely as a network where diversely cast TV shows can find a home. Instead, ABC seems to be carrying the torch at present. Second, the diversely cast shows on NBC and CBS were predominantly African American. In the case of NBC, the number of African American shows does not seem to be because of a network policy, but rather because of the network’s collaboration with Norman Lear and Bill Cosby, respectively. After NBC and CBS stopped producing shows with all African American casts, the number of persons of color in supporting roles seems to have increased. The number of leading roles for persons of color has not. At present, the diversely cast shows on ABC represent several minorities, both as leading actors and as supporting actors. On the other hand, in the past, ABC seems not to have produced any African American TV shows of lasting significance. Third, the absolute majority of all known TV shows starring Asian Americans as leading actors have been produced by ABC.

Where does this leave Fresh Off the Boat? If you put Fresh Off the Boat into a network television context in general, the show is indeed something of a rarity. Asian Americans as a group are poorly represented on television. However, put Fresh Off the Boat into the context of ABC over the past fifty years and it becomes the network’s latest attempt in representing the Asian American community.

Several of these previous attempts by ABC to represent Asian Americans have been failures. The characters were played according to stereotypes and as a consequence the ratings suffered which resulted in early cancellations. However, with 6.1 million viewers and a 1.9 rating in its third week, Fresh Off the Boat could very well be the show that will survive.

Bearing in mind that the last TV show with an Asian American cast aired in the mid-1990s, Fresh Off the Boat being broadcast on one of the biggest networks in the United States is of great significance. However, only time will tell if the show will turn out to be historic.

In the words of my friend, the Australian, I shall return.